Wednesday, November 10, 2010

Declaration as a Story

In Stephen E. Lucas's article "Stylistic Artistry of the Declaration of Independence" it talks about the specific stylistic choices that make the Declaration so effective.  One of the most effective things Jefferson did was use very intentional subjects and pronouns.  Americans are labelled as "one people", which makes them seem unified and harmonious.  On the other hand, the British are "another" people, almost like an afterthought.  This makes the reader immediately connect with the Americans and feel opposed in some way to the British.  Simplifying these two different groups into these two names makes it seem like a story, where the "one people" are the protagonists and the "other" people are the antagonists.  Stephen says a common interpretation of the Declaration is that of a "...patiently suffering people courageously defend[ing] their liberty against a cruel and vicious tyrant".

The introduction starts out broad and general, giving the setting to this story.  Then the grievances are like a story's plot, the major problems introduced to the protagonist.  The last paragraphs are the Americans taking charge of their destiny and playing an active role in their future by declaring independence.  Then it ends strongly with a huge sense of finality, that the Founding Fathers' decision is final and the right thing to do.

In his book "Style", Williams gives advice about writing very actively.  The Declaration follows his advice very well.  He says to first start off with a noun, a person, place, thing, or idea that the reader is familiar with.  Then use an action verb, preferably in the present tense.  Put the more confusing or complicated part of the sentence at the end.  Even though the Declaration has some lengthy and complex sentences, it is very clear sounding and pretty easy to understand.

1 comment:

  1. Karin, A fine summary that helps you preserve what you learned. Now our task as Americans is to live as the ideals direct us and as writers to follow the model of direct, clear prose. LDL

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